George
Luca´s masterpiece is not a letter to teenagers but a letter from teenagers who, I am not alone on this, talk
like kids- shame on the last teen films made by the industry- who behave like
youngsters. That is the authenticity of this piece of work. Capturing
characters at any age is challenging, but its more hard if the characters are
teenagers. By the way, here you can read some of the greatest lines in American
Graffiti:
Bob Falfa:
Hey, hey babe, what do you say?
Laurie: Don´t say anything and we`ll get along
just fine.
Perhaps my
individual perception is wrong but, I guess that American Graffiti is about having fun, the supreme feeling of going out
with your mates in searching for adventure. I know sometimes we only
remember the things that never happened but even so, the movie is also about
the dream of a summer night when you can find romance. It´s important to notice
that although is full of material of fashionable nostalgia, never exploits
nostalgia. In another words; Lucas
managed to find the balance between realism and fiction.
The movie
is full of hope because is not based on antagonism like other movies. The
argument, however, is low- key and the music- George Lucas has songs trough the movie- is treated as a sound
effect to create the drama, and what a music with all those Rock and Roll and Doo wop songs. And trough the songs
they are listening in their cars we can know the kind of people the characters
are who, by the way, travels into their own journey. Music doesn´t come from
particular places, it pervades the space to glorify teenhood.
American
Graffiti captures the heart of America`s last age of innocence. American
Graffiti looks like no other movie, an achievement which, like a great critic
said, is always the best measure of a truly gifted director.
Masterpiece.
Sergio Calle Llorens
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